Volume 2, Number 1

Talk Talk Volume 2, #1
January 1980 Talk Talk Volume 2 #1 cover and back cover featuring The Clash, Buzzcocks and Public Image Ltd., and many more!
Talk Talk Volume 2, #1
Talk Talk Volume 2 #1 table of contents and page 3, featuring The Clash "London Calling" review
Talk Talk Volume 2, #1
Pages 4 and 5, featuring album reviews of Public Image Ltd "Metal Box," The Raincoats, The Dickies, and Sid Vicious.
Talk Talk Volume 2, #1
Pages 6 and 7, featuring a short recap of the Buzzcocks visit to The Lawrence Opera house in December and 45 reviews of The Clash, 4 Be 2, Kidz Next Door, and Delta 5.
Talk Talk Volume 2, #1
Pages 8 and 9 featuring 45/single reviews of Wire, Joy Division, UK Subs, and The Beat, and local scene report on The Clean and top 20 singles list
Talk Talk Volume 2, #1
Pages 10 and 11 featuring top compilation albums, top albums and readers poll page
Talk Talk Volume 2, #1
Pages 12 and 13, Top Debut Albums and Top Albums; reggae reviews of Sly Dunbar, Gregory Isaacs, and The Gladiators.
Talk Talk Volume 2, #1
Pages 14 and 15, featuring reggae reviews of The Mighty Diamonds, rock reviews of The Pop Group and Rachel Sweet, and a continuation of the Buzzcocks recap.
Talk Talk Volume 2, #1
Pages 16 and 17, featuring album reviews of The Boys, Fast Records, The Mekons, and Secret Affair
Talk Talk Volume 2, #1
Pages 18 and 19, featuring photos of Ultravox and a review of locals Thumbs live at Off the Wall Hall

Excerpts

“Thumbs are one of the most interesting bands around. They continue to write good, solid songs that have influences from Dylan to Elvis C. to Smokey Robinson to Patti Smith, with a touch of a garage band in their heart."
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-DP, page 19
“…on London Calling, The Clash (still full of angry spirit) broaden their scope and in many ways pay homage to their R & B and reggae influences."
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Page 3
“Public Image are not for everybody. They are hardly traditional. The facts are that they exist, they market their products and they influence. Whether the consumers like or dislike their sounds does not seem to have much of a motivational force on them.”
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Page 4

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